monstermap, 15minWall Painting
더할 것도 뺄 것도 없다
there is nothing left to add nor take away
2008
(120 cm W x 165 cm H x 350 L)
installation view at Gwangju Biennale 광주 비엔날레
Gwangju, S-Korea
Annual Report: A Year in Exhibitions
Duration: September 5 – November 9, 2008
Professional Preview: September 4 and 5, 2008
Artistic Director: Okwui Enwezor
Co-Curators: Hyunjin Kim, Ranjit Hoskote
Position Papers Curators: Patrick D. Flores, Jang Un Kim,
Abdellah Karroum, Sung-Hyen Park, Claire Tancons
Venues: Biennale Hall, Gwangju Museum of Art,
Uijae Museum of Korean Art, Cinema Gwangju, Daein Traditional Market
Professional Preview: September 4 and 5, 2008
Artistic Director: Okwui Enwezor
Co-Curators: Hyunjin Kim, Ranjit Hoskote
Position Papers Curators: Patrick D. Flores, Jang Un Kim,
Abdellah Karroum, Sung-Hyen Park, Claire Tancons
Venues: Biennale Hall, Gwangju Museum of Art,
Uijae Museum of Korean Art, Cinema Gwangju, Daein Traditional Market
Annual Report is developed around three principal components.
The first part, On the Road, through a series of travelling exhibitions will serve as a report on cultural manifestations occuring between 2007 and 2008. The second component, Position Papers, is a platform dedicated to a series of five focused, small scale curatorial proposals and experiments in exhibition practice by a diverse group of curators.
The third element, Insertions, will take the format of a series of new projects commissioned or invited specifically for the biennale.
The first part, On the Road, through a series of travelling exhibitions will serve as a report on cultural manifestations occuring between 2007 and 2008. The second component, Position Papers, is a platform dedicated to a series of five focused, small scale curatorial proposals and experiments in exhibition practice by a diverse group of curators.
The third element, Insertions, will take the format of a series of new projects commissioned or invited specifically for the biennale.
The Gwangju Biennale Foundation
Under the title 'Annual Report', the 7th Gwangju Biennale assembles the diverse activities and practices of contemporary art without any particular theme. It comprises a series of selected traveling exhibitions invited to use the biennale as a destination, a stop on the touring itinerary in the global exhibition network. By inviting exhibitions to the biennale, the aim is not simply to make an exhibition about exhibitions or to debate the principles of curatorial culture. Rather, exhibitions are understood here as fundamental expressions of cultural and intellectual practice, and as such have gone beyond being understood as a form of reflection or forum of debate for art.
The Biennale is designed around three components, 'On the Road', 'Position Papers', and 'Insertions'. 'On the Road' is a report on recent exhibitions that have occurred or exhibited elsewhere between 2007-2008. 'Position Papers' is a platform dedicated to the curatorial proposals and experiments in exhibition making by emerging curators. 'Insertions' takes on the format of a limited series of new projects commissioned specifically for the biennale. As said by Hyunjin Kim, 'Through this composition, we pursue the continuous diversification and the new potentiality of the key elements of contemporary art - exhibition, curator, artist, artwork. Also, by breaking away from a particular exhibition theme, we avoid homogeneity in the search for, a stratified discourse and distinctive, complicated, heterogeneous, and layered aesthetic languages and attitudes.'
| Title: | The 7th Gwangju Biennale Exhibition Guide |
| Alternative Title: | The 7th Gwangju Biennale: Annual Report - A Year in Exhibitions |
| : | Okwui ENWEZOR |
| Description: | This exhibition guide of the 7th Gwangju Biennale, which is titled 'Annual Report - A Year in Exhibitions', includes an introduction by Artistic Director Okwui Enwezor, short texts about the participating artists and their works, floor plans and a calendar of events. |
| Access Level: | On-site |
| Location Code: | EX.KOR.GWB.2007 |
| Language/s: | English, Korean |
| : | Hiroshi SUGITO(杉戶洋), Praneet SOI, Dayanita SINGH, SHIN Hoyoon(신호윤), Jewyo RHII(이주요), Apinan POSHYANANDA(อภินันท์ โปษยานนท์), Redza PIYADASA, PEIK Kiyoung(백기영), PARK Jooyeon(박주연), PARK Jina(박진아), NAM Hwayeon(남화연), PORTEFAIX Valerie(林海華), GUTIERREZ Laurent(古儒郎), LEE Seulgi(이슬기), LEE Jinwon(이진원), JUNG Siren Eun Young(정은영), KOO Donghee(구동희), KOH Seungwook(고승욱), KIM Sunghwan(김성환), Sonia KHURANA, JO Haejun(조해준), HUANG Bingyi(黃冰逸), Shilpa GUPTA, Atul DODIYA, CHUNG Seoyoung(정서영), CHO Eunji(조은지), CHEN Shaoxiong(陳劭雄), CHEN Qiulin(陳秋林), Kaoru ARIMA(有馬かおる), Area PARK(박진영), Koki TANAKA(田中功起), Bani ABIDI, Huma BHABHA, Jim SUPANGKAT, (Group) Nina Fischer & Maroan El Sani, HWANG Chiyoung, LEE Donghwan(이동환), KANG Teahun, Larnet, MA Munho(마문호), PARK Munjong, Walid SADEK, HUH Uijae Baikryun(허의재), GAO Shiqiang(高世強), Raymundo R. ALBANO |
| : | Okwui ENWEZOR, Ranjit HOSKOTE, KIM Hyunjin(김현진), Patrick D. FLORES, KIM Jangun(김장운), Abdellah KARROUM, PARK Sunghyen, Claire TANCONS |
| Publisher/s: | Gwangju Biennale Foundation (Gwangju - South Korea) |
| Organiser/s: | Gwangju Biennale Foundation (Gwangju - Korea) |
| Venue/s: | Biennale Hall Gwangju Museum of Art Uijae Museum of Korean Art Daein Traditional Market Cinema Gwangju |
| Year of Publication: | 2008 |
| No. of Pages: | 112 http://www.aaa.org.hk/Collection/Details/24142 |
