monstermap, 15minWall Painting
더할 것도 뺄 것도 없다
there is nothing left to add nor take away
2008
(120 cm W x 165 cm H x 350 L)
installation view at Gwangju Biennale 광주 비엔날레
Gwangju, S-Korea
there is nothing left to add nor take away
monstermap, 15minWall Painting
더할 것도 뺄 것도 없다
there is nothing left to add nor take away
2008
(120 cm W x 165 cm H x 350 L)
installation view at Gwangju Biennale 광주 비엔날레
Gwangju, S-Korea
AH, SORRY… MY LEG… WAIT… OOH, THAT’S BETTER. WHERE WAS I
"AH, SORRY… MY LEG… WAIT… OOH, THAT’S BETTER. WHERE WAS I?"
Nayoungim & Gregory Maass Duo show
Le Bureau d’Art et de Recheche
Roubaix, France
May 2009
Roubaix, France
Invitation Card designed by Eric Rigollaud
Survival of the shitest
Nayoungim & Gregory Maass duo show
3 bis f, lieu d'art contemporain
Aix-en-Provence, France
26th Mar.-22th Apr.2009
Seafood portrait
Robert Estermann is working for his project :
Seafood Restaurant
will be soon presented in Basel.
Apr. 2009
Douglas Park in GAGARIN Volume 8#1
May 2007
Misagreement
GAGARIN
THE ARTISTS IN THEIR OWN WORDS
is an artist’s magazine (°2000), entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world. Each issue contains a number of artists’ writings, if possible from an equal number of countries. The texts are published in their original language and alphabetical writing, with unabridged translations in English added. Advertising and visual material are deliberately kept out.
GAGARIN is published twice a year by
GAGA vzw, Belgium
Concept & coordination: Wilfried Huet
2000 copies, 16x22cm
http://www.gagarin.be/back_issues/artist/117
Misagreement
Overpopulation of maps outnumber and exceed places and routes depicted. Compulsory decommissioning and mass hand-in surrender amnesty enforced. Contraband rolled, folding, split, cut, broken and torn up; raw loads fed inside every shredder exit other side somewhat revised; ribbons and strips get ground and crushed down to powder; any stubborn microbe snowflake confetti survivors remaining leftover become pulped, molten, leaking; outpour spills unleashed deluge flood; discharge eruption spreads far, deep, wide, rising, invincible.
Supervisory sun, moon and star light rays and beams strain, blow and push outwardly, searching, focused. Flick-switch and harp and lyre cord struck and played being megalithic lead and granite rigging, sails, flag and trailing streamers. These dependents cling onto and feed off totemic widow-maker telegraph pole; mast, driven and bolted securely through seaworthy and watertight life-raft; basket and carpet, nest-built and woven using only butterfly wings, shed petals, sloughed scales, moulted feathers and autumn leaves; platform, resting and balanced on buoyant anvil float.
Propellers, screws, paddlewheels, turbine-jets, oars and rudders frantically stir, whisk, churn, shake, unsettle and scramble murky stagnancy so much they bring about rebirth, cleansing, freshness and purity, all anew.
This laundry steam-iron and heavy-duty pile-driver trouser-presses and panel-beats often turbulent billowing waves ridden over; perseverance kept up, sustained, constant; until even, flat, smooth, slow, calm, nearly still.
Blades and teeth in the galley conduct precision-surgery removal, uplifting vast liquid sheets; entire skins scraped and taken right away from support; same operations incise and engrave bite-mark potholes into marine surface; also, burial-mound molehill blisters stay malingering around after them.
Chained anchor cast -albeit forwards and aloft, flown as kite. Clouds landed upon, caught and grabbed stretch tether tight, pulling hard enough, their sheer traction drags and steers craft along.
Oceans, by now run out and grown tired of, coast and shore on dry land is sought, then found. Steep cliffs, high rooftops, mountain peaks, obstacles, conquests scaled, crossed, passed, left behind. Sadly, leash retracts, vessel ends up stranded and soon forgotten in the sky.
©, Copyright, Douglas Park, 2007
Misagreement
GAGARIN
THE ARTISTS IN THEIR OWN WORDS
is an artist’s magazine (°2000), entirely dedicated to the publication of especially written and unpublished texts by artists who are now working, anywhere in the world. Each issue contains a number of artists’ writings, if possible from an equal number of countries. The texts are published in their original language and alphabetical writing, with unabridged translations in English added. Advertising and visual material are deliberately kept out.
GAGARIN is published twice a year by
GAGA vzw, Belgium
Concept & coordination: Wilfried Huet
2000 copies, 16x22cm
http://www.gagarin.be/back_issues/artist/117
Misagreement
Overpopulation of maps outnumber and exceed places and routes depicted. Compulsory decommissioning and mass hand-in surrender amnesty enforced. Contraband rolled, folding, split, cut, broken and torn up; raw loads fed inside every shredder exit other side somewhat revised; ribbons and strips get ground and crushed down to powder; any stubborn microbe snowflake confetti survivors remaining leftover become pulped, molten, leaking; outpour spills unleashed deluge flood; discharge eruption spreads far, deep, wide, rising, invincible.
Supervisory sun, moon and star light rays and beams strain, blow and push outwardly, searching, focused. Flick-switch and harp and lyre cord struck and played being megalithic lead and granite rigging, sails, flag and trailing streamers. These dependents cling onto and feed off totemic widow-maker telegraph pole; mast, driven and bolted securely through seaworthy and watertight life-raft; basket and carpet, nest-built and woven using only butterfly wings, shed petals, sloughed scales, moulted feathers and autumn leaves; platform, resting and balanced on buoyant anvil float.
Propellers, screws, paddlewheels, turbine-jets, oars and rudders frantically stir, whisk, churn, shake, unsettle and scramble murky stagnancy so much they bring about rebirth, cleansing, freshness and purity, all anew.
This laundry steam-iron and heavy-duty pile-driver trouser-presses and panel-beats often turbulent billowing waves ridden over; perseverance kept up, sustained, constant; until even, flat, smooth, slow, calm, nearly still.
Blades and teeth in the galley conduct precision-surgery removal, uplifting vast liquid sheets; entire skins scraped and taken right away from support; same operations incise and engrave bite-mark potholes into marine surface; also, burial-mound molehill blisters stay malingering around after them.
Chained anchor cast -albeit forwards and aloft, flown as kite. Clouds landed upon, caught and grabbed stretch tether tight, pulling hard enough, their sheer traction drags and steers craft along.
Oceans, by now run out and grown tired of, coast and shore on dry land is sought, then found. Steep cliffs, high rooftops, mountain peaks, obstacles, conquests scaled, crossed, passed, left behind. Sadly, leash retracts, vessel ends up stranded and soon forgotten in the sky.
©, Copyright, Douglas Park, 2007
Chung Seoyoung in Visionaire 57, 2010
11 Mercer Street
New York City 10013 USA
credit
curator: Okwui Enwezor
artist name: Seo-young Chung
title of work: Ice Cream Refrigerator and Cake Refrigerator
Year: 2007
medium: Steel, glass and light fixture
dimensions: 110x67x89.5cm
*COURTESY/THANKS: Courtesy of Kim Kim Gallery
*PHOTO CREDIT: Yong Kwan Kim
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