drawing on paper
2005
Mixed tachnic
ABOUT MY WORK
Imagine a place where every act, every touch would have the impact of a non-ending question; or the impact of a kind of revolution, because there would be no meta-narrative between or amongst any act. The dynamic of such a place is, physically, a history of equations — a poetics, not of metaphors or symbols, but that of the un-measurable, obscene in the hole of life.
I am interested in speaking as if stereotypes within cultural identification would not exist, I crossover, and I find sequences that differ from each other in a certain way as far as I can see. I am not at all interested in moralizing these differences. The lines in my drawings do not properly describe something, they are rather weapons of endless translating power. I am interested in a material that is artist, businessman, time, fetish, translation.
Suddenly, ‘from nothing’, something becomes very important, and I come out with it very precisely (as it must be). Joke, trickster, droll, ... real confusion, no made up confusion ... This gives me ‘all these’ possibilities.
robert estermann
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