The 25-Hour Days 第25小時

Imagine if a day extended from 24 to 25 hours. 

What kind of life would unfold in that extra hour?

September 26 to December 1, 2024
Keelung Museum of Art, Taiwan

Artists: Cha Jeaminm, Chen Wei-Chen, Chiu Chih-Wei, Chung Seoyoung, Yvan Clédat & Coco Petitpierre, Huang Po-Chih, Kao Ya-Ting, Kong Chun-Hei, Lai Ko-Wei, Lin Guan-Ming, Mohri Yuko, Olaf Nicolai, Shitamichi Motoyuki, Suzuki Yuya, Eason Tsang Ka-Wai, Yaloo, Yong Kian-San

Curators: Lin Yu-Hsuan, Huang Yu-Jie
Co-organizers: Keelung City Cultural Affairs Bureau, Swun’s Corporation
Special Thanks: The Centre Pompidou, Winsin Arts Foundation, Taoyuan Museum of Fine Arts, 
Project Fulfill Art Space

Featuring 17 artist groups from 7 countries, this exhibition explores the sensibilities arising after significant “experiences (events)” shift perceptions of time and space. 

The goal is to spark a dialogue transcending personal experience, examining the mutual influence between individuals and society. Whether due to a pandemic or disaster, the distance between people and their surroundings starts to change, leading to new relationships between the human and non-human, public and private realms. 

Life’s cycles forge new identities and emotional bonds. During migration, the body and mind may recalibrate momentarily. If “experiences (events)” inevitably traverse our lives, altering paths and giving new meanings to familiar things, then the exhibition space becomes a tangible manifestation of abstract temporal and spatial transformations. Here, we follow the rhythm of the artworks to contemplate urban structures, labor memories, and another reality behind modern society’s surface.

 

Time and space, as physical forms, confine our perceptions within limits. The 25-Hour Days hopes to guide us with a lighter step, wandering through different dimensions of time and space, setting aside existing rules and embracing the emotions we project onto society.


Chung Seoyoung, video still of <2013, 4 o’clock>, 2013

정서영 작가는 비물질적이며 비현실적인 요소들을 조각에 끌어오며 조각에 대한 근본적인 질문을 던집니다. 이번 전시에서 선보일 <2013년 4시>(2013)는 사운드 퍼포먼스 작업으로 조각의 형태가 신체와 행위, 소리, 시간 등, 외부적인 세계와의 끊임없는 접촉과 그로인해 발생하는 긴장관계 속에서 생성되는 것을 보여줌으로써, 조각가의 수행적인 시간과 조각이 존재하는 시간 사이 안에서 연속적인 시공간으로 만들어냅니다. (발췌: 일민미술관, 《큰 것, 작은 것, 넓적한 것의 속도》, 2013) 전통적인 조각이 정적이고 물리적인 세계에 속한다는 우리의 인식을 뒤흔드는 그의 작업은 관습적으로 굳어진 우리의 감각과 논리에 질문을 던지며, 《The 25 Hour-Days》 전시 안에서 공명을 만들어냅니다.
https://barakatcontemporary.com/ko/news/117-keelung-museum-of-art-the-25/

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